It’s a character actress and her dreams pushing this to completion in her garage.
Trying to get people to support independent projects… there’s no studio, there’s nothing. I don’t really have a choice in the matter and I never have. It would be easy to sit back and drink a beer, and shoot some squirrels in my back yard, but I think making art and being creative is something that propels me. I like having a challenge because I feel like that’s where growth occurs. But I like having a rock to push up a hill.
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As a ratty Seattle actor, I learned how to run sound, and how to edit, and how to do all that stuff, so I already knew that I could do all the things it would take to take a production completely to fruition. I’m not one to dip my toe in the shallow end, so I just jumped in - kind of naked - and had to figure it out. You produced this show independently and released it on digital platforms. Now I’ve just got to sit down and watch it. They’re tweeting us out, and Laura Prepon who is really great friends with one of our actors, told everybody to watch our show. So because of that, I felt it my duty to not watch “Orange Is the New Black.” I’ve been told that they’re incomparable, probably not just because their budget is just a wee-bit higher than ours. This script was written, and we had already raised the money to shoot it well before “Orange Is the New Black” was ever released. This show is about women in prison… kind of like another show people might be familiar with that’s gotten a lot of attention in the past few years - yes, I’m thinking of “Orange Is the New Black.” How do the shows compare? It’s a little heightened, a little ridiculous - real, but pushed to an extreme. I find my life is that way, and I find that’s what I’m attracted to when I’m producing or directing or acting. My sense of humor is grounded in a reality so the relationships are real, but the circumstances are a little ridiculous.
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TV talent, Internet talent, film actors and everybody just rolled their sleeves up and hopped up on into the pool.įor people who haven’t seen it, how would you describe its sense of humor? And then I tapped all my buddies - anybody who I ever bought a beer for. I made it a screenplay, we had a reading that nearly took the paint off my walls with people just having such a great time. I got in touch with the playwright, Kelleen Conway Blanchard, and I called her up one afternoon standing in my backyard and I said, “Can I have your script to try to make it into a show?” And she was like, “OK!” And so I had my way with it. So this one play script was getting a lot of attention, and I had one friend who directed the play send it to me and I laughed my little hiney off. We wrote all original plays - sometimes 12, sometimes 20 new productions per year. I was there in the late ’80s, early ’90s when Sub Pop Records was ruling the roost and Kurt Cobain and Nirvana played in our theater.
I worked at the Annex Theatre in Seattle in my ratty-tatty days, and I’ve always kept in touch with it and remained friends with all the old buddies. You executive produced, wrote and directed “Kittens in a Cage”… what’s the origin story? The series is available on Vimeo on Demand and Hulu, and features appearances by stars like Joel McHale, Misha Collins, Felicia Day and Michelle Monaghan.
Now, she has “Kittens in a Cage,” a seven-episode scripted comedy that she exec produced, wrote and directed, set in a women’s prison during the 1950s. Jillian Armenante is most recently recognizable for her recurring role on ABC’s “ Fresh Off the Boat.” But before entering the sitcom world, Armenante spent years on stage in Seattle and Los Angeles as well as appearing in a long list of films and television series.
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